Meeting analysis. Vladimir Mayakovsky "Seated": analysis of the poem

A little night will turn into dawn,
I see every day
who's in charge
who's in whom
who is in politics
who is in the light
the people disperse into institutions.
Rain on paper things
as soon as you enter the building:
having selected from fifty -
most important!-
employees go to meetings.

You will apply:
“Can they give an audience?
I've been going since the time she."-
"Comrade Ivan Vanych left to sit -
union of Theo and Hukon.

You will climb a hundred stairs.
The world is not nice.
Again:
“An hour later they told you to come.
Sitting:
buying a bottle of ink
Sponge cooperative.

In one hour:
no secretary
no secretary
naked!
All under 22 years old
at a Komsomol meeting.

Climbing up again looking at the night
on the top floor of a seven-story building.
"Did Comrade Ivan Vanych come?" —
"At a meeting
A-be-ve-ge-de-e-zhe-ze-coma.

furious,
to the meeting
burst into an avalanche
spewing wild curses dear.
And I see:
half of the people are sitting.
O devilry!
Where is the other half?
“Slaughtered!
Killed!"
I'm dreaming, yell.
From the terrible picture went crazy mind.
And I hear
the calmest voice of the secretary:
“She is in two meetings at once.

In a day
meetings for twenty
we need to hurry up.
Inevitably, you have to split up.
To the waist here
but other
there".

You won't fall asleep with excitement.
Early morning.
I dream of meeting the early dawn:
"Oh, at least
yet
one session
concerning the eradication of all meetings!”

Analysis of the poem "Seated" by Mayakovsky

V. Mayakovsky, as you know, was a fierce supporter of the revolution. He despised bourgeois society and longed for its destruction. The poet met the coming to power of the Bolsheviks with enthusiasm. He joyfully welcomed the slogans about building a completely new society. Gradually, Mayakovsky's joy weakens. Despite significant external changes in the soul, people remain the same. The same negative phenomena are returning, against which the revolution was directed. One of such eternal Russian problems is bureaucracy. Mayakovsky dedicated the poem "Seated" (1922) to her.

The work begins with a joyful picture of the early start of labor activity. In the young country of the Soviets, people are completely absorbed in useful work. There is no time to rest, since dawn, numerous institutions are filled with workers, captured by labor enthusiasm. But the author's ironic intonations immediately appear. The work begins with the selection of the most important (“fifty”!) Cases. But instead of starting to study them, workers go to meetings.

The lyrical hero himself appears. In his address to the secretary ("Can't they give an audience?") there is already a bitter mockery. The revolution proclaimed the equalization of rights for all, but the Soviet petitioner is forced to humiliately address an ordinary boss, as to a high person in tsarist times. The secretary is also incredibly busy, her answer is as concise and concise as possible. For an ordinary visitor, it is not even always clear. How could he know what "theo and gukon's meeting" meant?

The lyrical hero spends time endlessly wandering through the labyrinths of stairs and corridors in search of the elusive "Ivan Vanych". They still cannot accept it, since a very “important” issue is on the agenda - “buying a bottle of ink”. The absurdity of the situation is emphasized by the fact that the secretary soon disappears, as she is also obliged to attend some meeting.

Finally, closer to the night, the search for the author ends with success: he finds out where the next meeting is taking place. Discarding all rules and decency, the hero breaks into him. A terrible grotesque picture opens up to his eyes: there are only half of the people in the hall. The author thinks he has lost his mind, but the secretary reassures him. Since meetings often take place at the same time, people split up and are half-attended in different places. This monstrous fantastic spectacle personifies the thriving Soviet bureaucracy, which has completely lost its human appearance. Last wish lyrical hero at the beginning of a new working day - see "a meeting regarding the eradication of all meetings!".

Mayakovsky's poem "The Sitting Ones" is a very well-aimed strike of satire on the topic of the day. Already in the early 20s. the Soviet bureaucracy assumed incredible dimensions and importance. During this period, its criticism was still possible, which was used by talented authors.

You can read the verse "Prosessed" by Mayakovsky Vladimir Vladimirovich on the website. The poem refers to works that expose the inertia of social foundations. It is written in a sharp satirical vein and is dedicated to the criticism of bureaucracy - the terrible scourge of Soviet reality.

The plot of the poem is simple: the hero is trying to meet with the boss Ivan Vanych, and this important person is busy all day long in meetings on extremely important issues. Attempts to get an audience last from dawn to dawn, but are completely unsuccessful: the person in charge has a whole "rain" of urgent matters, among which only the most important will be typed in fifty. The very word “sitting” is Mayakovsky’s neologism, which carries a special semantic load, meaning overzealousness in any activity. Those who sit in institutions with incomprehensible abbreviated names: chapters, polit, com, clearance attach great importance to trifling and absurd deeds, such as buying a bottle of ink. The poet emphasized the absurdity and futility of the activities of responsible officials with the same absurd name-abbreviation of a certain committee called “a-be-we-ge-de-e-zhe-ze-com”. Desperate to get an appointment with the endlessly sitting boss, the hero bursts into the meeting room and sees with horror only half of those sitting, because their other halves occupy other chairs at the meeting table of another committee.

Mayakovsky the satirist mercilessly ridicules the employees of the institutions of the young Soviet state, who do not sow, do not build, do not reap, but are only busy with paperwork. His hero is very determined and ready to convene the last meeting with a decision-verdict: to eradicate all meetings in general.

You will apply:
“Can they give an audience?
I go from time to time.”-
“Comrade Ivan Vanych left to sit -
union of Theo and Gukon”.

You will climb a hundred stairs.
The world is not nice.
Again:
“An hour later they told you to come.
Sitting:
buying a bottle of ink
Sponge Cooperative".

In one hour:
no secretary
no secretary
naked!
All under 22 years old
at a Komsomol meeting.

Climbing up again looking at the night
on the top floor of a seven-story building.
“Comrade Ivan Vanych came?” -
"At a meeting
A-be-ve-ge-de-e-zhe-ze-coma.

furious,
to the meeting
burst into an avalanche
spewing wild curses dear.
And I see:
half of the people are sitting.
O devilry!
Where is the other half?
“Slaughtered!
Killed!”
I'm dreaming, yell.
From the terrible picture went crazy mind.
And I hear
the calmest voice of the secretary:
“One is in two meetings at once.

In a day
meetings for twenty
we need to hurry up.
Inevitably, you have to split up.
To the waist here
but other
there".

You won't fall asleep with excitement.
Early morning.
I dream of meeting the early dawn:
“Oh, at least
yet
one session
regarding the eradication of all meetings!”

Vladimir Mayakovsky, as you know, unconditionally accepted the revolution and welcomed the emerging socialist system. However, observing reality, he noted with chagrin the "diseases" of the new formation. One of them was the total Soviet bureaucracy, which Mayakovsky did not expect from the new government. The poem "Prosessed" is his response to the current situation.

Face of bureaucracy

The word "bureaucracy" comes from the merger of two nouns - the French "office" and the Greek "power". This phenomenon exists wherever there is public administration. Bureaucracy (or clerical work) is called the immensely complicated movement of papers through the instances and desks of officials.

Mayakovsky's "Seated" helps to see the guise of "paper power" through the prism lyrical perception which makes the picture extremely expressive. To some extent, the poet's dislike for office paraphernalia can be explained by a personal drama: his father died of blood poisoning, which followed when he pricked his finger with a needle while stitching papers. And of course, the poet himself was touched by circular red tape when he was busy with the publication of his play "Mystery Buff". There were notes in which Mayakovsky told how he encountered "bureaucracy mixed with mockery."

Analysis of the poem "Seated": plot

The hero of the work from early morning ("a little night will turn into dawn") is trying to get an appointment with the chief "Ivan Vanych", this, of course, is a generalized image of all officials. This is far from the first attempt: “I have been walking since she” (this is a Slavic book expression meaning “once upon a time, very, very long ago”). But the chief is always sitting somewhere. Before the eyes of the lyrical hero, a bureaucratic whirlwind takes place: day after day, employees are overtaken by the “rain” of “paperwork” (here the author uses hyperbole), and they constantly go to meetings. The poet satirically comprehends the themes of these meetings, the issues discussed are ridiculous: “purchase of a bottle of ink by the Sponge Cooperative” or simply absurd: “the union of Theo and Gukon” (TEO is an abbreviation of the name “The Theater Department of the People’s Commissariat of Education”, and GUKON is the Main Department of Horse Breeding of the People’s Commissariat of Agriculture) . Favorite Soviet abbreviations fall under Mayakovsky's satirical pen, which he rhymes in a witty line: "At the meeting of A-be-ve-ge-de-e-ze-ze-coma."

idea and mood

An analysis of Mayakovsky's poem "The Sitting Ones" is especially interesting from the point of view of the development of the author's mood. At first it is restrained, the hero respectfully asks the secretary about the official: “Can they give an audience?” However, he is refused. And after you "travel a hundred stairs", you are already "not nice to the world." The author does not directly name his condition, but the vocabulary used clearly paints a portrait of an exhausted, unhappy petitioner.

After another unsuccessful attempt to get through to the official (already “looking at the night”), the mood of the lyrical hero changes decisively, he is “enraged” “bursts like an avalanche” into the sitting room, also “spewing wild curses on the road”. Epithets, as we see, are very expressive! And here is a terrible scene in front of the hero: "half of the people are sitting." Not daring to believe his eyes, he, like everyone normal person, frightened and alarmed: "I'm rushing about, yelling", his "mind went crazy from a terrible picture." But especially ominous seems the equanimity of the secretary, who routinely states: "He is in two meetings at once." Why be surprised? There are so many meetings that one has to be torn between them: “... to the waist here, and the rest there!” Hyperbole develops into the grotesque and turns the narrative into a phantasmagoria. The poem of the lyrical hero completes that the advisors should gather for a meeting “Concerning the eradication of all meetings”. The poet ironically utters it in a deliberately clerical style.

Genre analysis of Mayakovsky's poem "Seated"

There is no doubt that the poem is sustained in the genre of a satirical feuilleton. It, as befits a feuilleton, sharply ridicules the vices of society, has publicity and artistic merit. The author does not skimp on hyperbolization and grotesque, capacious metaphors and biting epithets. Many expressions, like the very title of the poem, became common nouns already during the life of the poet and tightly entered the treasury spoken language. The poet’s innovative linguistic research is also connected with the feuilleton genre, as evidenced by the analysis of the poem “The Sitting Ones”.

Mayakovsky - futurist poet

The poet's work came at a time when not only the language was broken, but also. Artists were looking for new means of expression, challenging tradition. The desire for novelty crystallized in the artistic direction of the early twentieth century - futurism, which Mayakovsky enthusiastically joined. The analysis of the poem "Seated" is therefore also valuable from the point of view of spectacular neologisms invented by the poet. According to the researchers, there are more than 2,800 new lexical constructions in the works of Vladimir Mayakovsky. Before him, in Russian speech, no one heard the epithet "enraged", as well as the infinitive "to split" or the gerund "orya". And the word in the title of the work is an innovation that knows no equal. The noun "to sit" is a derivative of the verb "to sit", which also does not exist in Russian. However, the connotation of the word is closely connected, for example, with the verb "to lose" and has a connotation of catastrophic excess, hopelessness.

The compositional completeness of the poem

The work is written in a circular composition. We observe a daily cycle: from the morning of one day to the morning of another. the hero, as the analysis of the verse “The Sitting Ones” demonstrates, corresponds to this cycle, the excitement that intensifies in the ordeals of the hero and culminates in the scene where he sees the halves of people gradually subsides and transforms into reflection.

There are many satirical writers in modern literature. Almost every third seeks to stigmatize and denounce. But there were times when it was dangerous to “tell the truth to kings with a smile.” The work of M.E. Saltykov-Shchedrin and N.V. Gogol is recognized as truly satirical. satire like special kind Literature is called upon to denounce the vices of society or prominent representatives of this very society.

Futurist poet Vladimir Mayakovsky also loved satire. He called it "weapons of the most beloved kind." He, "an agitator, a bawler, a rebel," she really was on the shoulder. The poet, of course, glorified the Fatherland more, "which is", and "thrice - which will be." He believed in the “communist far away”, and everything that hinders the victorious movement into the future must be eliminated, thrown down the slope of history.

A lot of satire was created by him during civil war- the famous "Windows of GROWTH", in which he ridiculed the bourgeoisie, the White Guards and the townsfolk. After the October Revolution and the establishment of a new government, a new misfortune appeared: "the mug of a tradesman crawled out from behind the back of the RSFSR." Mayakovsky was not shy in choosing means, even using abuse.

A large cycle of his works is devoted to the fight against bureaucracy. One of the first poems "Happy", whose analysis will be presented. By genre this is a feuilleton in poetic form, because it depicts a generalizing phenomenon - the habit of sitting for a long time. Hence the name - "Protsesseduschiesya". This is the author's neologism, because there is no verb "to sit" in the Russian language, but the reader can easily find an analogy with the words "lose", "squander", denoting the highest degree actions that do not lead to anything good. Thus, the title of the poem determines not only the theme, but also the attitude of the author towards it.

The poem has plot: the hero is trying to get an appointment with Ivan Vanych (the generalized name of an unknown boss), but he, along with his employees, continuously sits. The ordeal of the hero lasts a whole day: from the moment when "a little night will turn into dawn" until the time at which the hero meets "early dawn". Of course, the main satirical means is hyperbola- an exaggeration. So, "paper cases" so many that they "drenched in rain" and even the most important "from fifty".

Therefore, so many meetings have to be held, and the reasons for them are either trifling (for example, "Purchase of a bottle of ink by the Sponge Cooperative"), or ridiculous, absurd - "Theo's union with Gukon", that is, the Theater Department of the Main Political Education Department with the Main Directorate of Horse Breeding. If these organizations actually existed, then the author uses ironic designations to convey the variety of obscure names of institutions:

Who's in charge
who's in whom
who is in politics
who is in the gap, the people disperse into institutions.

And the unintelligible abbreviation, which includes almost the entire alphabet, sounds completely sarcastic: "A-be-ve-ge-de-e-same-ze-com". Thus, ridiculing meaningless abbreviations, Mayakovsky uses a pun, that is, a play on words.

The last scene looks grotesque: here the exaggeration reaches fantastic proportions: the hero sees how "half of the people are sitting", after all

Inevitably, you have to split up!
To the waist here
But other
There.

Of course, this image arose on the basis of a well-known colloquial expression: "Am I supposed to break in two?" In fact, Mayakovsky uses this expression literally, achieving a satirical effect. Such a rethinking of well-known proverbs and sayings is typical of Mayakovsky's work.

Very important for evaluating events and changes in the mood of the lyrical hero. If at first he speaks with restraint, with a certain amount of irony: "Can't they give an audience?", since it is already walking "since the time she", then then his nerves give out and he, "enraged, bursts into the meeting as an avalanche, spewing wild curses on the road". And from the sight of the torn ones sitting with him "mind gone crazy", and now he dreams, it would seem, of an unrealizable:

Oh at least
yet
one session
concerning the eradication of all meetings!

Here Mayakovsky parodies the clerical style. The hero's dream, therefore, is also hyperbolic, but it becomes clear to the reader that this deliberative red tape must be stopped forever.

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Prosessed (1922)

Many satirical works by Vladimir Mayakovsky were aimed at combating bureaucracy. In the first years of Soviet power, the bureaucratic apparatus grew dramatically, institutions appeared that were mired in meetings, imitating vigorous activity and far from the true needs of the people. The poet, of course, could not miss such a burning topic.

In the poem “Seated”, the main character, on whose behalf the story is being told, is an ordinary person who vainly knocks around the thresholds of a state institution in the hope of getting an audience with “comrade Ivan Vanych”, but cannot catch him in place - the elusive Ivan Vanych is constantly on some meetings.

The satirical effect grows gradually. At the beginning of the poem, the reader learns that every morning our hero sees how "the people disperse into institutions." So far, only the list of these institutions is alarming: “heads”, “com”, “watered”, “clearance” (Mayakovsky divided the actually existing Glavkompolitprosvet into four organizations).

The satirical sound of the second sentence is no longer in doubt: “Paper things are raining down…”. For Mayakovsky, bureaucracy, first of all, meant the blind power of a piece of paper, a circular, instructions that only interfere with a living cause. And the image of "paper rain" will be continued by the poet in a number of subsequent works. In the same poem, Mayakovsky is interested in something else - the deliberative rage of bureaucrats.

Again and again the unfortunate petitioner climbed "the top floor of the seven-story building", but he could not find Ivan Vanych, and each time he heard the same answer: "At the meeting." But the main thing is not even endless meetings, but what officials do at such meetings during their official time.

First there was a meeting of "Theo and Gukon's association". The author came up with this association, connecting the Theater Association with the Main Directorate of Stud Farms, in order to show the absurdity of what is happening. What can these associations have in common, what can they discuss? Only for satirical effect, you can come up with this. But Mayakovsky relied on a real fact: in 1921, the former head of Theo, director S. N. Kehl, was appointed to work in Gukon as the head of the horse breeding department.

The number of meetings in the poem is, of course, exaggerated, but the issues that are discussed at such meetings are a clear understatement (“buying a bottle of ink”, for example). Both exaggeration and understatement are common means of expression in Mayakovsky's work.

The satirical sound intensifies when, already “looking at night”, the petitioner comes to the institution and finds out that the mysterious Ivan Vanych this time is “at a meeting a-be-ve-ge-de-e-zhe-ze-coma”. In this abracadabra, the author clearly ridicules the love for complex abbreviations characteristic of the twenties of the XX century.

All four episodes of the search for Ivan Vanych are just a kind of approach to the central event of the work. The poor visitor, "spewing wild curses on the road," rushes into the meeting, brought to a white heat, and sees: "half of the people are sitting." This is the culmination of the famous poem "The Sitting Ones". The satirical effect is enhanced by the fact that the “enraged” hero, who was horrified by the “terrible picture”, is opposed by the “calm voice” of the secretary, who explains: in order to be in time for twenty meetings a day, “I involuntarily have to double up. / To the waist here, / and the rest / there. But no matter how fantastic and how funny this scene is, it only captures the sad reality - the bureaucratic reality. Mayakovsky's favorite technique is the realization of metaphors. In this poem we see the realization phraseological turnover: "I can't tear myself in half."

There is no specific image of a bureaucrat in the poem - Ivan Vanych is absolutely faceless, but there is a generalized portrait of endlessly and senselessly sitting officials. And the main idea of the satirical work is formulated by the author as an aphorism: "Oh, at least / one more / one meeting / regarding the eradication of all meetings!". This phrase clearly sounds the author's irony. And, unfortunately, the dream of the poet has not yet come true.

As usual in his work, Mayakovsky uses new rhymes and rhythms in this poem. He needs them for the most expressive effect. The poet tried to display the rapidly changing life, which did not fit into the usual schemes and images. He believed that the use of ordinary artistic means impoverishes the work and does not emphasize well the phenomena that he wanted to show his readers.

The poem "Seated" was created on the basis of the technique of "absurd hyperbolism" (the term was introduced into literature by Mayakovsky) - this is a merciless irony, turning into open exaggeration. With the help of his own expressive means, the satirist poet achieves the effect, knocking out readers and listeners from the usual associative series and forcing them to perceive long-familiar phenomena in a completely unexpected perspective.

There is probably no such negative phenomenon in life that Mayakovsky would not fight against. The poet admitted: " I have a big itch for writing satirical things". IN last years In his poetic activity, he created a number of classical works of a satirical nature with telling names: "Coward", "Foolish", "Plyushkin", "Hunt", "Gossip", "Hack".

The neologism of Vladimir Mayakovsky, who were in session, has firmly entered Russian colloquial speech.

Searched here:

pending analysis
prosessed Mayakovsky analysis
analysis of the poem